Saturday 9 October 2010

Storyboarding 2

Here are the pictures and effects we decided for our storyboard.

Shot 1.
This image was the first opening scene. This was a close up of the characters feet walking. We chose this shot as it creates suspense and a sense of the unknown which keeps the audience interested.




Shot 2.
This image was a long shot of the character from
behind walking down the corridor.  This shot was chosen to show the rest of the mise-en-scene and orients the viewer.



Shot 3.
This shot is of the person opening the corridor door. This is a medium close up. We later changed this as we didn't want to confuse people and allow them to think this is the door in the brief. We chose a medium close up to create tension as to what was behind the door.
Shot 4.
This shot is a medium long shot of the character walking down the corridor towards us after they went through the first door. Again we chose this shot mainly to orient the viewer. We then changed this to a match-on-action shot.

Shot 5.
This shot is a medium long shot of the character walking up to the door mentioned in the brief. We chose this shot so the viewer could see the door and know it was the one in the brief.
Shot 6.
This is a close up of the characters hand opening the door. This shot builds suspense. This shot was sued to create a build up of excitement for the audience. We chose it also to show the door handle and the door being opened.
Shot 7 and 8.

Both these shots link in with each other and will be edited to appear a second after each other. These shots show the character walking through the door in the brief. Shot 7 shows a medium long shot of behind the character walking through the door. Shot 8 shows a medium long shot of the character walking through the door but from the front view. We chose to combine these shots to create a good effect and a smooth edit. It makes the shot look more interested.

Shot 9. 
This shot shows a medium shot of the character walking from the mid body down. We didn't use this shot but chose it originally to show a wide variety of shot types and to also create suspense.
Shot 10.
This shot shows the character walking across the room from behind. This is a long shot. We chose this to show the teacher in the background and shows the student also walking up to her. It makes the audience stay interested in the film as they want to know what will happen next.
Shot 11.
This shot is an eye line match. This matches what the character was looking at in shot 10. This shot shows a long shot of the second character sitting at a desk. We didn't use this shot in the end but chose it originally to show a eye line match shot which we incorporated elsewhere.
Shot 12.
This shot is a long shot of the first character sitting down opposite the second character. We chose this to set geography for the audience.
Shot 13 and 14.

Shot 13 and 14 show a shot reverse shot. It sets the scene and builds tension in the scene. The camera flicks from one over the shoulder shot to another. This also shows the 180 degree rule.  We chose this to incorporate the two rules together and to make it more interesting for the viewer. It also shows who is talking each time.

Shot 15.
This shot shows a close up of the results being passed from one character to another. This allows the viewer to get a sense of what is happening in the scene. This was chosen so the audience can see the main focus of the film and to set the story for them.


Shot 16 and 17.

These two shots show a high tilt from the results up to the characters face which almost feels like a POV shot from the results. Then it switches to a POV shot  looking down at the results so the audience can see what has happened. This was the eye line match shot. This shows the audience what they want to see.
Shot 18 and 19.

These two shots link in together very well. A close up of each persons face is seen after the other and they exchange two sentences.  This is chosen to show the audience who is talking each time which is a shot/reverse shot.

Shot 20.

This is the last shot. It shows character one getting up off the chair and walking out of shot. This shot is a long shot. This was used to end the scene pleasantly and to end the film on a happy shot which leaves the audience feeling happy too.
















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